كنيسة السيّدة - عين إبلبدأ بناء الكنيسة سنة ١٨٦٦ بمسعى من الخوري إبراهيم خريش، اذ لاحظ المطران بطرس البستانيّ أن الكنيسة القديمة أصبحت ضيّقة وكانت الرعيّة تتمّم واجباتها الدينيّة في بيت الكاهن. فبدأ مشروع بناء الكنيسة الكبيرة. في الكنيسة ثلاث لوحات واحدة منها نسخة عن لوحة السيّدة والطفل لرافاييل، مار مارون ومار يوسف للفنّان مارون ضو. في باحة الكنيسة نصب لشهداء البلدة الذين رقدوا بالربّ سنة ١٩٢٠. ومنحوتة مصلوب على شجرة طبيعيّة.The church of the Our Lady- Ain IblThe church was built in 1866 with Fr Ibrahim Khoreish. Back then Bishop Boutros el Boustany noticed that the old church is too small for the congregation that was celebrating mass in the priest’s house. The church holds a replica of Rafael’s Madonna, St Maroun and St Joseph by Maroun Daou. In the church’s backyard stands the memorial of the martyrs of the town who were martyred in 1920 and the crucified put on a natural tree.
The convent’s ancient origin is attached to a legend. A rich man of the region committed adultery; filled with remorse, he attached a padlocked iron chain to his ankle and threw the key into the sea-shore and survived on the fish brought to him by local fishermen, who called him the guardian of the cavern. One day, a fisherman brought him a fish, in whose entrails the hermit found the key of the padlock. He knew then that God had delivered him from his suffering, and he built a convent above the cavern. He dedicated it to The Mother of God, but it also took the name of the Guardian.
The daily life of the convent is regulated by the flow of visitors who come to fulfill vows and make prayers. Sister Catherine al-Jamal is the principal resident of Dayr al-Natour, and she has done everything within her power to restore it.
According to the Crusader document, the Monastery of the Presentation of Our Lady Natour was built by Cistercians. Indeed, the Church interior resembles that of the Cistercian Church of Balamand, built in 1157. Otherwise, the history of Dayr al-Natour is hidden in obscurity, although it is said that the local Orthodox community took it over after the departure of the Crusaders. Its name is almost unmentioned by historical sources during the Mamluk and most of the Ottoman period, although it is reported that French corsairs attacked the Monastery at the beginning of the eighteenth century and killed a monk.
In 1838, the Ottoman authorities gave permission to the Monastery to be rebuilt. In the second half of the nineteenth century, it contained several monks and a superior, and it possessed fifteen dunums of land. During the First World War, it was bombarded by a Russian ship. A few years later, the Monastery lost its last Superior, Basilios Debs, who became Archbishop of Akkar. After his departure, monastic life ended at Dayr al-Natour.
During the twentieth century, the deserted monastery became a refuge for shepherds from the neighboring regions. In 1973, Sister Catherine al-Jamal moved to Dayr al-Natour and began to restore it from its ruin.
Our Lady of the Forest - Saydet el Ghabeh, Beirut, Lebanon
كنيسة سيّدة الغابة
Beit Chabab
Metn
Mount Lebanon
كنيسة سيّدة الغابة - بيت شباب
بنُيت الكنيسة الأولى في القرن السابع عشر، واعتنى بإعادة بنائها آل الحايك مرّتين سنة ١٧٧٢ و١٧٧٣. خُرّبت أثناء حملة إبراهيم باشا فأعاد ترميمها الأمير حيدر أبي اللمع سنة ١٨٤٠. أخذت شكلها الحاليّ سنة ١٩٠٠ ورُمّمت سنة ١٩٩٠. في الكنيسة عدّة لوحات أهمّها اللوحة القديمة التي تعود للقرن السادس عشر، كان قد رسم فوقها كنعان ديب لوحة أخرى لم تعد موجودة سنة ١٨٣٩ وقد جرّحها فارسٌ درزيّ في أحداث ١٨٦٠، وقد نُقلت عنها لوحة لحبيب سرور تعود لسنة ١٩١٩. The church of Our Lady of the Forest - Beit Chabeb
The church was first built in the XVIIth century, then rebuilt by the Hayek family in 1726 and 1773. It was damaged during the campaign of Mehmet Ali Pasha and restored by Prince Haidar Abi Ll Lamah in 1840. It took its final shape in year 1900, and then restored 90 years later. The church holds many paintings the most important ones being the old XVIth century icon of the Madona, that was covered by another painting by Kanaan Dib drawn in year 1839 that is no longer present. This painting was attacked by a Druze knight in the war of 1860. Habib Srour drew a copy of it in 1919.
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